Ari Salomon: Fine Art Photography

Ari Salomon Fine Art Photography

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February 27, 2026

Luminous at KG+ Kyoto, with Samurai Foto

Luminous: Lighting the Way — SAMURAI FOTO × BAPC at KG+ 2026

 

I’m excited to share that I am participating in the SAMURAI FOTO group exhibition Luminous: Lighting the Way at the Dohjidai Gallery in Kyoto. 13 of their members and 5 BAPC members are in the show. I will show a handful of Burn Line images. I’m also putting on a solo show in this amazing photo festival in Kyoto. It’s my 4th time participating in the festival.

This year’s theme, explores photography’s deep relationship with light — not just as an optical phenomenon, but as a cultural, emotional, and philosophical force. Photography, rooted in the Greek roots photos (light) and graphen (to write), becomes a way of inscribing experience with meaning through illumination. The works in this exhibition are organized into thematic strands — from Literal Light and Enlightenment & Insight to Light on the Unseen and Beauty in Simplicity — and collectively invite viewers to reconsider how light shapes what we see and how we understand our place in the world.

Curator: The show is curated by Deborah Klochko. From 2006 to 2023, she led the Museum of Photographic Arts (MOPA) as Executive Director and Chief Curator. Over the course of her tenure, Deborah Klochko helped redefine how photography is presented, collected, and critically interpreted. Her advocacy for visual literacy has positioned it as a crucial competency in contemporary culture, bridging audiences across disciplines and borders. She has worked with Samurai Foto before and this show is the 2nd in a 5 year, 5 part series.

Dohjidai Gallery (google map)
April 21 – May 3, 2026
Daily: 12:00–19:00 (final day until 17:00)
Free opening reception: April 22, 5-7pm

I’m honored to be included among this group of artists whose work embodies such breadth and depth. If you’ll be in Kyoto within the exhibition window, I hope you’ll visit — especially for the ways the work asks us to feel and think about light, perception, and experience.


A Solo Show Announcement:
While this group exhibition is a meaningful moment in my practice, I’m also thrilled to let you know that I will also present a solo exhibition at the KG+ festival.

Thank you for following along. I’m honored to be included in this international dialogue between Japanese and Bay Area photographers. If you’re in Kyoto during the festival, I would love for you to see the work in person. Please contact me for a private tour.


 


Curation:Deborah Klochko デボラ・クロチコ
アート写真美術館(サンディエゴ)名誉館長
プロフィール

日時 / Date / 2026年 4月21日(火)から5月3日(日)
April 21 (Tue) to May 3 (Sun), 2026

時間 / Time / 12:00-19:00(最終日は17:00まで)(closed mondays)

出展者 ・ 写真家 / Artists  
大西俊正 / 後藤直 / 佐々木一弘 / 佐々木浩二 / 佐藤裕保 / 佐藤均 / 佐藤素子 / 千代田路子 / 蓮見浩明 / 藤森彩海 / 升本真理子 / 村田光司 / 吉田繁
Ari Salomon / Gene Dominique / Henry Bowles / Ingo bork / Rusty Weston

場所 / Venue 同時代ギャラリー(アクセス)   Access Link
京都市中京区三条通御幸町東入弁慶石町56 1928ビル2F
Tel:075-256-6155
Google Map


Statement: 

火は風景や家屋を焼き尽くす一方で、私たちの暮らしや心の景色との深いつながりを鮮明に映し出します。本作『Burn Line』は、カリフォルニアの山火事を題材に、喪失と再生、そして変容を見つめる作品です。

ギャラリーには無垢材の家屋が佇み、窓の向こうには火災後のロサンゼルスの光景が広がります。柱の間には、作家が「パイロタイプ(Pyrotype)」と呼ぶ木版作品が並びます。火災で失われた品々の写真をCNCルーターで木に刻み、慎重に炭化させることで、イメージは燃え殻の中に幻影のように宿り、実体を持った「物体」として立ち上がります。

本作は、脆さと強さ、破壊と保存のあわいに立ち、灰の中から芽吹く新たな命と意味を静かに見つめます。

My Burn Line series transforms photographs into charcoal objects. I engrave images into wood and then burn the surface, allowing fire—an extreme form of light—to become part of the photographic process itself. The resulting pyrotypes are fragile artifacts, images that have physically passed through fire.

The works draw from photographs connected to the Los Angeles wildfires, depicting objects and symbols tied to places that were destroyed.

Alongside these works, I present black-and-white photographs made in Altadena after the fires, grounding the pyrotypes in the physical landscape where these images began.


LINKS

  • samurai-foto.jp 
  • kgplus.kyotographie.jp
  • KG+ Group show (exhibition 130) (JP)
  • KG+ Solo show (exhibition 29) (JP)

 

 

 

Related

Publish date: February 27, 2026
Posted in Exhibitions, Featured and tagged with KGplus. RSS 2.0 feed.
« A Measure of Uncertainty at Harvey Milk Photo Center
Burn Line at Nohga Hotel Kyoto — KG+ / GOJO+ Award »
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Ari Salomon is a fine art photographer working in San Francisco.

Recent Exhibitions

  • Burn Line at Nohga Hotel Kyoto — KG+ / GOJO+ Award
  • Luminous at KG+ Kyoto, with Samurai Foto
  • A Measure of Uncertainty at Harvey Milk Photo Center
  • Change at the Magnes Collection
  • Pingyao International Photography Festival

Recent Press

  • Burn Line featured in Forbes and J
  • “Lasting Evidence”: featured in Professional Photographer magazine
  • Float Magazine Instagram Takeover
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Get occasional updates on my exhibitions.
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Exhibitions

  • Burn Line at Nohga Hotel Kyoto — KG+ / GOJO+ Award

    4/18 – 5/17, 2026, Solo Exhibition

  • Luminous at KG+ Kyoto, with Samurai Foto

    4/21 – 5/3, 2026

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My work will be available at this huge photo book My work will be available at this huge photo book fair this weekend. It’s a well attended and fun event for book and photo geeks.
shooting for a new old project... coming January t shooting for a new old project... coming January to @bedfordgallery via @bapcsf and @artalatrinca
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A new group of friends I made on my last shoot on the fire sites.

#lawildfires
@nicolekshaffer @recologyair excellent exhibition @nicolekshaffer @recologyair excellent exhibition that’s open today and Tuesday. This program has been producing amazing art for decades. Nicole‘s work is like a mashup of “the Wizard of Oz” and “one flew over the cuckoo‘s nest”
BERLIN:: “Deutschland Deutschland übel alles,” is BERLIN:: “Deutschland Deutschland übel alles,” is a satirical pun on the historical first line of the German national anthem: “Deutschland, Deutschland über alles” (Germany, Germany above all).The sign changes the word “über” (above/over) to “übel” (bad, awful, or nauseating). 

Meaning of the Pun:: Literally translated, the sign means “Germany, Germany, awful/sickening everything” or “Germany is bad above all else.”It is used as a form of political satire or protest. By using this phrase, the person displaying the sign is expressing deep frustration, anger, or dissatisfaction with the current state of German politics, society, or the government.

The original meaning (1841): When Heinrich Hoffmann von Fallersleben wrote the lyrics, Germany was not a unified country but a collection of independent kingdoms and duchies. The phrase “Germany above all” originally meant that the dream of a unified German democratic nation should be more important than loyalty to individual local rulers. During the Nazi regime, the phrase was co-opted to mean German supremacy and dominance over other nations.
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August 8 - September 19, 2026
The Brick, 518 N. Western Ave. Los Angeles 90004 - To Share a Stomach is an exhibition shaped by proposals, instructions, and written correspondences sent by artists currently living and working in Iran. interesting work and of course so timely as we hope these artists in Iran are able to be safe — and hope for much more beyond safety.
Just went to a great community cyanotype project a Just went to a great community cyanotype project as part of a memorial for #lawildfires2025 with @katelainprojects
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