Ari Salomon: Fine Art Photography

Ari Salomon Fine Art Photography

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November 29, 2025

Burn Line

*recent exhibition: Kyoto GOJO+

Burn Line is a meditation on loss, resilience, and transformation in the wake of California’s wildfires. 

Using a process I call Pyrotype, photographic images are CNC-engraved into wood and then transformed through controlled burning into solid charcoal. Each piece becomes both image and relic—a fusion of photography, sculpture, and memory—objects literally forged by fire, embodying how trauma alters what remains.

I created these pieces in collaboration with fire survivors. Together we looked at photographs of objects they lost in the fires. Then we worked together to tell a story about what was meaningful and what was lost. This series is called Lost Memories.

Alongside these collaborations, I also include my own black-and-white photographs of the fire’s aftermath, reflecting on destruction and renewal through my own lens. This series is called Lost Landscapes.

 


Lost Shoes

“I bought these at a thrift store in Seaside. They were vintage tap shoes—I had a cobbler cover the suede soles with rubber. I wanted a street shoe inspired by the jazz shoes I loved in ballet school. When I evacuated, they were left behind and later found covered in ash and smoke residue, contaminated with toxic metals. I photographed them for insurance, a record of something too damaged to keep.” – Emi Takahara

Changed by the Eaton Fire, Altadena, January 2025

Lost Menorah

“This large menorah stood proudly at the edge of our parking lot, facing the busy street—a symbol of light shared with the public. When the fire swept through, the menorah was singed and several of our buildings were lost. Many in our community also lost their homes. The next day, we saw video of the menorah lying in the ashes. In time, we restored it and look forward to lighting it again as a sign of resilience and faith.” – Chabad of Pacific Palisades

Changed by the Palisades Fire, Pacific Palisades, January, 2025

Lost Terra-Cotta Bust

“My parents ran an art school in our home in the hills. When I was young, my father sculpted a terra-cotta bust of me and another of my brother. They hung on a wooden wall in the ceramics studio—the heart of our house. When the wall disappeared, they kind of fell together. The clay survived the fire—scarred but whole.” – Robin Wallace

Changed by the Mountain Fire, Camarillo, November 2024

Lost Art

“My parents’ house in the hills of Camarillo was a hub for an extended artist community. The woodblock print on the right came from Mendocino—my parents loved attending summer workshops at the Mendocino Art Center after my father retired, mostly in printmaking and ceramics. At the bottom of the image, a TV shows two power-line workers—an eerie foreshadowing, since so many fires are sparked that way. The large painting on the left, by Roxie Ray, survived only because it had been moved before the fire.” – Robin Wallace

Changed by the Mountain Fire, Camarillo, November 2024


Lost Vase 

“My artist cousin Carol Collier bought this for me in 2019. It was from a pottery studio in Sausalito called Heath Ceramics, a green color I wasn’t sure of at first. Muted, matte. She loved it so I looked at it a lot, filling it with different colored flowers from my yard to see how the colors changed the green. I learned to love the green too. Then it all burned down, all the things I thought mattered. They now live in my soul.” – Susannah Mills

Changed by the Eaton Fire, Altadena, January 2025

More Lost Memories images:

  • Full catalog of Lost Memories Pyrotypes
  • Video project overview
  • PDF with a full collection of images and captions 

Lost Landscapes

Here is a selection of images I took myself in burn sites around LA.

Lost Landscape: Save Altadena, August 13, 2025 (Eaton Fire, January 2025)
Lost Landscape: “Spirits” Altadena, August 13, 2025 (Eaton Fire, January 2025)
Lost Landscape: “No Trespassing”, Pacific Palisades, April 12, 2025 (Palisades Fire, January, 2025)

Lost Landscape: Tree, Pacific Palisades, April 12, 2025 (Palisades Fire, January, 2025)
Lost Landscape: Ash, Altadena, August 13, 2025 (Eaton Fire, January 2025)
Lost Landscape: Towers, Altadena, August 13, 2025 (Eaton Fire, January 2025)

Lost Landscape: “Rocket Shell”, Altadena, August 13, 2025 (Eaton Fire, January 2025)
Lost Landscape: Roots and All, Pacific Palisades, April 12, 2025 (Palisades Fire, January, 2025)
Lost Landscape: “Private”, Pacific Palisades, April 12, 2025 (Palisades Fire, January, 2025)

Lost Landscape: Shattered Backboard, Pacific Palisades, April 12, 2025 (Palisades Fire, January, 2025)
Lost Landscape: Ruins Malibu, February 1, 2026 (Palisades Fire, January, 2025)
Lost Landscape: Tree Malibu, February 1, 2026 (Palisades Fire, January, 2025)

Lost Landscape: Balconies Malibu, February 1, 2026 (Palisades Fire, January, 2025)
Lost Landscape: Crane Malibu, February 1, 2026 (Palisades Fire, January, 2025)
Lost Landscape: 6721 Malibu, February 1, 2026 (Palisades Fire, January, 2025)

Lost Landscape: Cabana Malibu, February 1, 2026 (Palisades Fire, January, 2025)
Lost Landscape: View Malibu, February 1, 2026 (Palisades Fire, January, 2025)
Lost Landscape: Twin Chimney Altadena, August 13, 2025 (Eaton Fire, January 2025)

Lost Landscape: Yucca Altadena, August 13, 2025 (Eaton Fire, January 2025)
Lost Landscape: Missing Palm Malibu, February 1, 2026 (Palisades Fire, January, 2025)


Process video

 

Video tour: Kyoto

Video tour: Berkeley


Press coverage

Forbes feature 

  • Forbes: California Wildfires Give Rise To New Artistic Process Forged By Flame
    By Leslie Katz (PDF)
  • J Weekly: Wildfires, tides, landlines: A Jewish artists’ laboratory grapples with change (PDF)

Exhibitions

  • Burn Line, Nohga Hotel Kyoto, KG+ / GOJO+ Award (solo show)
  • Luminous at Dohjidai Gallery, Kyoto  
  • A Measure of Uncertainty, Harvey Milk Photo Center
  • Change at The Magnes
  • Ephemeral Earth at Alameda Photo Festival

Ari Salomon is a fine art photographer working in San Francisco.

Recent Exhibitions

  • Burn Line at Nohga Hotel Kyoto — KG+ / GOJO+ Award
  • Luminous at KG+ Kyoto, with Samurai Foto
  • A Measure of Uncertainty at Harvey Milk Photo Center
  • Change at the Magnes Collection
  • Pingyao International Photography Festival

Recent Press

  • Burn Line featured in Forbes and J
  • “Lasting Evidence”: featured in Professional Photographer magazine
  • Float Magazine Instagram Takeover
View All Press

Newsletter

Get occasional updates on my exhibitions.
Newsletter archive

Exhibitions

  • Burn Line at Nohga Hotel Kyoto — KG+ / GOJO+ Award

    4/18 – 5/17, 2026, Solo Exhibition

  • Luminous at KG+ Kyoto, with Samurai Foto

    4/21 – 5/3, 2026

Instagram

@nicolekshaffer @recologyair excellent exhibition @nicolekshaffer @recologyair excellent exhibition that’s open today and Tuesday. This program has been producing amazing art for decades. Nicole‘s work is like a mashup of “the Wizard of Oz” and “one flew over the cuckoo‘s nest”
BERLIN:: “Deutschland Deutschland übel alles,” is BERLIN:: “Deutschland Deutschland übel alles,” is a satirical pun on the historical first line of the German national anthem: “Deutschland, Deutschland über alles” (Germany, Germany above all).The sign changes the word “über” (above/over) to “übel” (bad, awful, or nauseating). 

Meaning of the Pun:: Literally translated, the sign means “Germany, Germany, awful/sickening everything” or “Germany is bad above all else.”It is used as a form of political satire or protest. By using this phrase, the person displaying the sign is expressing deep frustration, anger, or dissatisfaction with the current state of German politics, society, or the government.

The original meaning (1841): When Heinrich Hoffmann von Fallersleben wrote the lyrics, Germany was not a unified country but a collection of independent kingdoms and duchies. The phrase “Germany above all” originally meant that the dream of a unified German democratic nation should be more important than loyalty to individual local rulers. During the Nazi regime, the phrase was co-opted to mean German supremacy and dominance over other nations.
Innovation in music, decade after decade, there is Innovation in music, decade after decade, there is no other possibility
TO SHARE A STOMACH August 8 - September 19, 2026 TO SHARE A STOMACH

August 8 - September 19, 2026
The Brick, 518 N. Western Ave. Los Angeles 90004 - To Share a Stomach is an exhibition shaped by proposals, instructions, and written correspondences sent by artists currently living and working in Iran. interesting work and of course so timely as we hope these artists in Iran are able to be safe — and hope for much more beyond safety.
Just went to a great community cyanotype project a Just went to a great community cyanotype project as part of a memorial for #lawildfires2025 with @katelainprojects
Essential Essential
6 Feet Apart #6feetapartarisalomon #accidentalart 6 Feet Apart

#6feetapartarisalomon
#accidentalart #covidart #FinlandCovid
You are witnessing a quintessential Finnish univer You are witnessing a quintessential Finnish university tradition: student orientation and “appro” events.
Early September marks the start of the academic year at Tampere University and TAMK (Tampere University of Applied Sciences). You are seeing thousands of new and returning students participating in orientation week activities and citywide orientation rallies (fuksi suunnistus).
What to Know About the Tradition
 * The Colorful Overalls (Haalarit): The boiler suits or overalls are the official uniform of Finnish university students. The color indicates their field of study—for example, red for medicine, dark blue for computer science, yellow for psychology, or white for business.
 * The Fabric Patches: Students customize their overalls over their entire academic career by sewing on embroidered patches collected from events, student guilds, and parties.
 * The “Treasure Hunt”: The small groups you see navigating the city with maps or phones are participating in an orientation checkpoint rally. Groups complete funny challenges, trivia, or team-building games at stations hosted by older students across parks and public squares to earn points and collectible patches.
Walking through @backlight_fi in Tampere, Finland Walking through @backlight_fi in Tampere, Finland 🇫🇮 — one of the Nordic region’s longest-running photography festivals (since 1987). A little tour, artist by artist.

Grateful to have connected with @tasumaniemi (Executive Director, Nykyaika/Backlight), Liisa Mäkinen (festival producer), and artist-curator Anna Ruth of @akkigalleria — whose “Art without Transportation” project is producing one of the installations

Incredible work on view from @angelo_katerina  @jo_duck  @davidellingsenphoto @joelr.jj @lecercle @andreduane @rafael.roncato @areyoushure_ @timowright @sheungyiuphoto @aminyosefi  and Jakob Ganslmeier (@jakob_ganslmeier ) of Ganslmeier & Zibelnik.

backlight.fi

#Backlight2026 #Tampere #PhotoFestival #FineArtPhotography #DocumentaryPhotography
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