Ari Salomon: Fine Art Photography

Ari Salomon Fine Art Photography

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December 31, 2016

Turing’s Echo @ ProArts Gallery

I’ll have one Interface image addressing the theme of repetition at Pro Arts gallery starting Jan 6 2017. 

Turing’s Echo Exhibition at Pro Arts Gallery

January 6 – January 27, 2017

During the Post-WWII era, repetition became a tool in art as both a commentary and critique of a changing society. From the serial works of Pop artists and the manufacturing techniques of many Minimalists, the prevalence of repeated forms and images directly responded to ideas of authenticity and ownership. In our current social, economic, and political climate, many are concerned that we are doomed to repeat past mistakes: be it the resurgence of Nationalism, segregation, authoritarian governments, or environmental disasters. In this context, we are excited to present a range of artists who are inspired by this contemporary context.

  • Opening Reception: Friday, January 6, 2017 | 6:00 – 9:00 pm
  • Pro Arts Gallery (map)
  • 150 Frank H. Ogawa Plaza, Oakland, CA 94612 (near 12th st BART)
  • https://proartsgallery.org

Media:

  • ‘Turing’s Echo’ draws meaning out of repetition
  • Dailycal.org review (link or PDF)
    • “Even the title of Linderman and Nicolini’s work allows there to be some derivable commentary on individualism. But Ari Salomon’s abstract pigment print, “Interface #3425 (Western Addition),” doesn’t unanimously speak to an opinion about anything in particular despite its clear use of repetition in shapes and shading.”

Looking forward to meeting you there.

Participating Artists: Jason Challas, Amanda Church, Rachael Cleveland & Anna Muselmann, Mark Hendricks, Mikey Kelly, Kathleen King, Dara Lorenzo, Kathleen McLean, Christine Meuris, William Moriarty, Dan Nelson, Palesa Nicolini & Jennifer Linderman, Melanie Piech, Ari Salomon, Katie Swan Laich, and Monica Tiulescu

 

Ari Salomon, Interface #3425 (Western Addition) 2009

Related

Publish date: December 31, 2016
Posted in Exhibitions, Featured. RSS 2.0 feed.
« SFBC Winterfest 2016
“Sukkah Studio” article in J Weekly »

Ari Salomon is a fine art photographer working in San Francisco.

Recent Exhibitions

  • Burn Line at Nohga Hotel Kyoto — KG+ / GOJO+ Award
  • Luminous at KG+ Kyoto, with Samurai Foto
  • A Measure of Uncertainty at Harvey Milk Photo Center
  • Change at the Magnes Collection
  • Pingyao International Photography Festival

Recent Press

  • Burn Line featured in Forbes and J
  • “Lasting Evidence”: featured in Professional Photographer magazine
  • Float Magazine Instagram Takeover
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Get occasional updates on my exhibitions.
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Exhibitions

  • Burn Line at Nohga Hotel Kyoto — KG+ / GOJO+ Award

    4/18 – 5/17, 2026, Solo Exhibition

  • Luminous at KG+ Kyoto, with Samurai Foto

    4/21 – 5/3, 2026

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My work will be available at this huge photo book My work will be available at this huge photo book fair this weekend. It’s a well attended and fun event for book and photo geeks.
shooting for a new old project... coming January t shooting for a new old project... coming January to @bedfordgallery via @bapcsf and @artalatrinca
#BurnLine A new group of friends I made on my las #BurnLine

A new group of friends I made on my last shoot on the fire sites.

#lawildfires
@nicolekshaffer @recologyair excellent exhibition @nicolekshaffer @recologyair excellent exhibition that’s open today and Tuesday. This program has been producing amazing art for decades. Nicole‘s work is like a mashup of “the Wizard of Oz” and “one flew over the cuckoo‘s nest”
BERLIN:: “Deutschland Deutschland übel alles,” is BERLIN:: “Deutschland Deutschland übel alles,” is a satirical pun on the historical first line of the German national anthem: “Deutschland, Deutschland über alles” (Germany, Germany above all).The sign changes the word “über” (above/over) to “übel” (bad, awful, or nauseating). 

Meaning of the Pun:: Literally translated, the sign means “Germany, Germany, awful/sickening everything” or “Germany is bad above all else.”It is used as a form of political satire or protest. By using this phrase, the person displaying the sign is expressing deep frustration, anger, or dissatisfaction with the current state of German politics, society, or the government.

The original meaning (1841): When Heinrich Hoffmann von Fallersleben wrote the lyrics, Germany was not a unified country but a collection of independent kingdoms and duchies. The phrase “Germany above all” originally meant that the dream of a unified German democratic nation should be more important than loyalty to individual local rulers. During the Nazi regime, the phrase was co-opted to mean German supremacy and dominance over other nations.
Innovation in music, decade after decade, there is Innovation in music, decade after decade, there is no other possibility
TO SHARE A STOMACH August 8 - September 19, 2026 TO SHARE A STOMACH

August 8 - September 19, 2026
The Brick, 518 N. Western Ave. Los Angeles 90004 - To Share a Stomach is an exhibition shaped by proposals, instructions, and written correspondences sent by artists currently living and working in Iran. interesting work and of course so timely as we hope these artists in Iran are able to be safe — and hope for much more beyond safety.
Just went to a great community cyanotype project a Just went to a great community cyanotype project as part of a memorial for #lawildfires2025 with @katelainprojects
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