Ari Salomon: Fine Art Photography

Ari Salomon Fine Art Photography

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October 23, 2025

Got BGH?

In 1995 I had an exhibition at the Sesnon Gallery at UCSC and one of my projects was related to food activism. I produced a poster that referenced the famous “Got Milk?” ads but changed the text to “Got BGH?” as a reference to the then-new practice of giving Bovine Growth Hormone to cows so they produce more milk. The image of the Hostess cupcake also tied into another reference to a famous Hostess product.

the text at top read: “In November 1978, former San Francisco Supervisor Dan White shot and killed Supervisor Harvey Milk and Mayor George Moscone. In his defense he blamed stress and eating twinkies as factors that drove him temporarily insane.”

the text at bottom: “Bovine Growth Hormone (BGH) is a genetically engineered hormone that causes cows to produce up to 25% more milk. Although there have been no long-term tests of the hormone’s health effects on humans, some preliminary studies link BGH with increased risks of breast cancer, colon cancer, diabetes and hypertension. BGH treated cows are more susceptible to “mad cow disease”, udder infections and birthing deformed calves. Milk and other products from BGH treated cows may contain less protein and higher levels of saturated fat as well as pus, bacteria and antibiotics. Even though the FDA has acknowledged some of these dangers, they maintain approval of BGH’s use in beef and dairy products and have refused to require labeling of products derived from use of BGH.”

…with a website to get more information.

I printed a few 100 posters and gave them away at the exhibition. I also posted them around town and showed the work again at Southern Exposure gallery in San Francisco later than year.

This image shows the scale of the posters and you can perhaps make out the tiny text along the top and bottom.

For many years I had a web page on my site that had links for more information about mad cow disease and BGH. Here is a revised list of links (as of 2025) for more information on this issue that is still with us today.

The good news is, as of 2025, the use of recombinant bovine growth hormone among U.S. dairy operations has declined to historically low levels. Current agricultural and market data indicate that fewer than 5% of U.S. dairy farms still use rBGH injections on their cows

Bovine Growth Hormone (BGH)

Bovine Growth Hormone (BGH), also known as recombinant bovine somatotropin (rBST or rBGH), is a genetically engineered hormone used to increase milk production in dairy cows. While the U.S. Food and Drug Administration (FDA) approved its use in 1993, it remains banned in the European Union, Canada, and several other countries due to animal welfare and consumer safety concerns.

Research over the past two decades has linked rBGH use to increased udder infections, lameness, and reproductive problems in cows. Some health advocates also raise questions about elevated levels of insulin-like growth factor-1 (IGF-1) in milk from treated cows, though regulatory agencies continue to disagree over its significance. For updated scientific and policy perspectives, explore the links below.

Resources on rBGH and Food Safety

  • American Cancer Society: Understanding rBGH and Human Health — detailed overview of research on growth hormone and IGF-1 in milk.
  • Center for Food Safety: About rBGH — evaluation of rBGH effects on animal welfare and antibiotic use.
  • Breast Cancer Prevention Partners: rBGH/rBST Fact Sheet — concise summary connecting dairy production policy and cancer research.

Corporate Accountability and Legal Updates

  • Food & Water Watch: Inside Bayer’s “Cancer Gag Act” Push — 2025 report on Monsanto’s successor company and herbicide safety controversies.
  • Monsanto Roundup Lawsuit Updates — latest coverage on ongoing litigation around Roundup and glyphosate exposure.

Sustainable and Organic Dairy Alternatives

  • As of October 2025, organic dairy accounts for approximately 7–8% of the total U.S. dairy market by value, with fluid organic milk representing around 3% of total milk volume sold nationally.
  • Straus Family Creamery — California-based organic dairy pioneer using regenerative practices.
  • Cornucopia Institute Dairy Scorecard 2025 — grades organic dairy brands on sustainability, transparency, and animal welfare.
  • Global rBGH-Free Dairy Market Report (2025–2032) — analysis of the growing market for hormone-free milk products.
  • Ben & Jerry’s: Why We Oppose rBGH — brand stance and historical activism against hormone use in dairy cattle.

Ari Salomon is a fine art photographer working in San Francisco.

Recent Exhibitions

  • Burn Line at Nohga Hotel Kyoto — KG+ / GOJO+ Award
  • Luminous at KG+ Kyoto, with Samurai Foto
  • A Measure of Uncertainty at Harvey Milk Photo Center
  • Change at the Magnes Collection
  • Pingyao International Photography Festival

Recent Press

  • Burn Line featured in Forbes and J
  • “Lasting Evidence”: featured in Professional Photographer magazine
  • Float Magazine Instagram Takeover
View All Press

Newsletter

Get occasional updates on my exhibitions.
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Exhibitions

  • Burn Line at Nohga Hotel Kyoto — KG+ / GOJO+ Award

    April 18–May 17, 2026 Open everyday, 11am-5pm

  • Luminous at KG+ Kyoto, with Samurai Foto

    4/21–5/3, 12–7pm (Opening: 4/22, 5-7pm)

Instagram

@noramoji refers to the unique, hand-painted, and @noramoji refers to the unique, hand-painted, and slightly unpolished typography found on the signs of old, independent Japanese storefronts, particularly those from the Showa era. this is not exactly lettering, but I’m so excited about learning this new term that I’m looking through my old photos…
Tour of my exhibition in Kyoto. 7min. There are lo Tour of my exhibition in Kyoto. 7min. There are longer and shorter tours on my YouTube channel. 
Burn Line
アリ・サロモン | Ari Salomon

NOHGA HOTEL KIYOMIZU KYOTO

Open: 4/18-5/17, 2026

details at: AriSalomon.com 
Burn Line is a meditation on loss, resilience, and transformation in the wake of California’s wildfires. 

Using a process I call Pyrotype, photographic images are CNC-engraved into wood and then transformed through controlled burning into solid charcoal. Each piece becomes both image and relic—a fusion of photography, sculpture, and memory—objects literally forged by fire, embodying how trauma alters what remains.

I created these pieces in collaboration with fire survivors. Together we looked at photographs of objects they lost in the fires. Then we worked together to tell a story about what was meaningful and what was lost. 

Alongside these collaborations, I also include my own black-and-white photographs of the fire’s aftermath, reflecting on destruction and renewal through my own lens.
@nohgahotel.kiyomizu  @kgplus  @gojo_plus 

#kgplus
#kgplus2026
#kyotographie
#kyotoart
#BurnLineAri
Today is Sunday and the last day of the festival h Today is Sunday and the last day of the festival has arrived. Exhibition is open from 11 to 5. @nohgahotel.kiyomizu  @kgplus
BURN LINE NOHGA HOTEL KIYOMIZU KYOTO @nohgahotel.k BURN LINE
NOHGA HOTEL KIYOMIZU KYOTO @nohgahotel.kiyomizu 
EXHIBITION #29 @kgplus 

JÖTÖSHIKI
(ROOF-RAISING CEREMONY)
上棟式
A traditional Japanese ceremony held after a building’s framework is complete.
It expresses gratitude to those who built it, shows respect for the land, and prays for the safety, stability, and well-being of the people who will live and gather there.
This ofuda (paper talisman) from a local shrine is placed within the structure as a blessing-inviting protection and harmony as the home’s life begins.

REBUILDING WITH CARE
In the wake of fire, rebuilding is more than construction-it is a return.
Jötöshiki reminds us that every structure begins with respect for the land and hope for a safe future.
This exhibition space, too, is a temporary frame for healing— a place to honor what was lost, and to imagine what can grow.

I was so glad to include a few ritual elements in my installation. 

B1F GALLERY
LAST WEEK!
EXHIBITION ENDS MAY 17 SUNDAY

ABOUT JOTOSHIKI EMI
Also called jotosai, this roof-raising ceremony celebrates the completion of a building’s framework. It gives thanks, honors the land, and prays for the building’s safety and the well-being of all who will dwell within.
I made my own “Sekimori-ishi” using leftover charc I made my own “Sekimori-ishi” using leftover charcoal (failed Pyrotypes). The goal was simply to discourage visitors from trying to walk around the house. Nothing to see back there.... it was a fun last minute improvisation. 
Burn Line
アリ・サロモン | Ari Salomon
NOHGA HOTEL KIYOMIZU KYOTO
ロビー/メディテーションルーム
Lobby / Meditation Room (B1F)
Open: 4/18-5/17
Everyday 11:00-17:00
details at: AriSalomon.com (Link In bio)

@nohgahotel.kiyomizu @kgplus @gojo_plus
#kgplus
#kgplus2026
#kyotographie #kyotoart
#BurnLineAri
Healing through water and healing through fire. M Healing through water and healing through fire.

My solo exhibition in Kyoto ends this weekend. If you’re in town, you’re invited to come check it out - open 11 to 5 daily. Check out the video tour on my YouTube channel-I made tours of a handful of other exhibitions in the festival. While you’re at the hotel, check out the wonderful bakery in the lobby, my favorite item was the Matcha white chocolate scone. @cicon_by_nohgahotel @nohgahotel.kiyomizu @kgplus @gojo_plus
#suikinkutsu 
#kgplus2026
#kyotographie #kyotoart
#BurnLineAri
At the heart of the “Burn Line” installation is a At the heart of the “Burn Line” installation is a Suikinkitsu, a traditional Japanese acoustic device. The room is designed around it, and I was told I could cover it up with photographs, but I wanted to highlight it as the “hearth” of the house. To deepen the themes of transition and mourning, I surrounded this stone basin with carbonized wood and ritual charcoal, creating a somber, grounding centerpiece for the room. The installation invites you to sit and reflect on the material journey from wood to ash while listening to the delicate, subterranean echoes of the water koto. It’s designed as a kind of healing object around water and my work is a kind of healing object around fire so they compliment one another.

The exhibition is a meditation on process and loss, and I would love for you to experience it before it closes.

• Location: Nohga Hotel Kiyomizu Kyoto
• Exhibition: #29 (Gojō+ Award winner)
• Final Day: May 17th, 2026
#FineArtPhotography #Suikinkutsu #SekimoriIshi  #JapaneseGarden @kyoto__journal @gojo_plus @kgplus @kyotographie @nohgahotel.kiyomizu
An ocean of selfies. Thank you to all my kyotograp An ocean of selfies. Thank you to all my kyotographie friends for another great festival. My exhibition is up for one more week for anyone who is still in Kyoto. @nohgahotel.kiyomizu @gojo_plus
K7 JULIETTE AGNEL “The Scent of Light” Yuhisai Kou K7 JULIETTE AGNEL “The Scent of Light” Yuhisai Koudoukan - opens early - 09:30–16:30

This was an amazing exhibition in a beautiful beautiful building that actually has two tea rooms (in two styles @urasenke) in it. For an extra fee, they serve Matcha in the tea room. It’s not a full Tea Ceremony where they make the tea in front of you but it’s a mini Tea experience with a custom-made wagashi confectionary that was made just for the show and matches the aesthetics of the artist’s photographs. The photographs are beautiful, but the context of the exhibition design adds so much to the experience and of course that’s one of the greatest strengths of the kyotographie festival.
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